05: Bibliography

Aarseth, E. J. Cybertext: perspectives on ergodic literature (Baltimore, Md: Johns Hopkins University Press, c1997)

Abrioux, Y. Ian Hamilton-Finlay: a visual primer (London: Reaktion Books, 1992 [2nd edn.])

Arakawa and Gins, M. Reversible Destiny (New York: Guggenheim Museum Publications, 1997)

Arakawa, S. and Gins, M. Arakawa and Madeleine Gins architecture: sites of reversible destiny: architectural experiments after Auschwitz – Hiroshima (London: Academy Editions, 1994)

[Image: Peter Lyssiottis with Kristin Headlam, Desire and the Brush, Photograph: James Stuart]

Bakhtin, M. The Dialogic Imagination: Four Essays, Holquist, M (ed.), Emerson, C. and Holquist, M (trans.) (Austin: University of Texas Press, 1981.

Bassnett-McGuire, S. Translations Studies (London: Routledge, 2002 [3rd ed])

Bernstein, C. ‘The art of immemorability’, Rothenberg, J. & Clay, S. (eds.) A Book of the Book (New York: Granary Books, 2000)

Bernstein, C. ‘Response’, in Loizeaux, E.B. & Fraistat, N. (eds.) Reimagining Textuality: Textual Studies in the Late Age of Print (Madison, Wis: The University of Wisconsin Press, 2002)

Bernstein, C. ‘State of the Art’, A Poetics (Cambridge: Harvard University Press, 1992)

Blanchot, M. ‘Mallarmé’s Experience’, Cook, J. (ed.) Poetry in theory: An anthology 1900-2000, (Oxford: Blackwell Publishing, 2004)

Blanchot, M. ‘The Book to Come’, Rothenberg, J. & Clay, S. (eds.) A Book of the Book (New York: Granary Books, 2000)

Bohn, W. Modern Visual Poetry (Newark: University of Delaware Press, 2001)

Bolter, J.D. and Grusin, R. Remediation: understanding new media (Cambridge, Mass.: MIT Press, c1999)

Bringhurst, R. The Elements of Typographic Style (Vancouver: Hartley & Marks, 2003, 3rd ed – revised).

Clampitt, P.G. Communicating for Managerial Efffectiveness (Thousand Oaks: Sage Publications, 2005)

Cook, J.(ed.), Poetry in theory: an anthology, 1900-2000 (Malden, MA : Blackwell Pub., 2004)

Danto, Arthur C. ‘Gins and Arakawa: Building Sensoriums’, Nation, Vol. 251 Issue 12, 1990

Drucker, J. Figuring the word : essays on books, writing and visual poetics (New York, NY: Granary Books, 1998)

Drucker, J. The century of artists’ books (New York City: Granary Books, 2004)

Duke, J. H. Dada: Kampfen Leben Und Tod (Katoomba: Wayzgoose Press 1997)

Figes, O. ‘Anna the Great’, The New York Review of Books, Vol. 53, No. 11, 22 June, 2006

Forrest-Thomson, V. ‘Continuity in Language’, Cook, J.(ed.), Poetry in theory: an anthology, 1900-2000 (Malden, MA : Blackwell Pub., 2004)

Grigely, J. Textualterity : art, theory, and textual criticism (Ann Arbour: University of Michigan Press, 1996)

Hayles, N. K. ‘Electronic Literature: What is it?’ http://eliterature.org/pad/elp.html (Electronic Literature Organization, 2007)

Hayles, N. K. Writing Machines (The MIT Press, Cambridge MA, 2002).

Hayles, N.K. ‘Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis’, Poetics Today, Volume 25, Number 1, Spring 2004

Huisman, R. The Written Poem: semiotic conventions from old to modern English (London: Casell, 1998)

Huismann, R. ‘Reading with the Eye’, Five Bells, Vol. 16, Nos 2 and 3, Autumn/Winter, 2009

Jarvis, J. and Hudson M. ‘Foreword’, Orpheus through the rear-vision mirror (Katoomba: Wayzgoose Press, 2002)

Keane, J. ‘Constructing the Conditions of and Environments for Interdisciplinary Research on Perception and Action,’ Ecological Psychology, Issue 20, 2008

Kenneth Goldsmith’s ‘The Bride Stripped Bare’, Morris, A. and Swiss, T. (eds.) New Media Poetics: contexts, technotexts and theories (Cambridge, Mass: MIT Press, 2006)

Kress, G. and van Leeuwen, T. Reading images: the grammar of visual design (London: Routledge, 2006)

Lakoff, G. ‘Testing the Limits of Brain Plasticity: Or, Why Is There a Wall Down the Middle of the Tub?’, Arakawa and Gins, M. Reversible Destiny (New York: Guggenheim Museum Publications, 1997)

Leishmann, D. ‘Leishman on Two of Nelson’s Works’ in The Iowa Review Web, Vol. 9, No. 1, 2007,  http://research-intermedia.art.uiowa.edu/tirw/vol9n1/artists_each_others_work.php

Mallarmé, S. ‘Action Restricted’ (trans. Caws, M.A.) (1982)

Mallarmé, S. ‘The Book: a spiritual instrument’ (trans. Caws, M.A.) in Stephane Mallarmé: Selected Poetry and Prose, Caws, M. A. ed. (New York: New Directions Books, 1982).

McGann, J. Black riders : the visible language of modernism (Princeton, N.J. : Princeton University Press, c1993)

Memmott, T. ‘Clutteralist Aesthetics and the Poetics of Whimsy: The Work of Jason Nelson’, The Iowa Review Web, Vol. 9, No. 1, 2007,  http://research-intermedia.art.uiowa.edu/tirw/vol9n1

Minter, P. ‘Never return to a meadow permit’ in blue grass (London: Salt Publishing, 2006) p.9.

Morely, S. Writing on the wall: word and image in modern art (London: Thames & Hudson, 2003)

Morkes, J and Nielsen, J ‘Concise, SCANNABLE, and Objective: How to Write for the Web’, http://www.useit.com/papers/webwriting/writing.html

Morris, A. and Swiss, T. (eds.) New Media Poetics: contexts, technotexts and theories (Cambridge, Mass: MIT Press, 2006)

Muller, J.D. ‘The Body of the Book: The Media Transition from Manuscript to Print’, Gumbrecht, H. U. and Pfeiffer, K. L. (eds.) Materialities of Communication (Stanford, Calif: Stanford University Press, 1994)

Nelson, J. Secret Technology www.secrettechnology.com

Nielsen, J ‘How Little Do Users Read?’, http://www.useit.com/alertbox/percent-text-read.html

Perloff, M. ‘After Free Verse: The new non-linear poetries’, published on the author’s homepage http://wings.buffalo.edu/epc/authors/perloff/free.html

Perloff, M. The Poetics of Indeterminacy: Rimbaud to Cage (Evanston, Ill.: North Western University Press; London: Turnaround, 1999)

Prud’homme, J. and Guilbert, N.(2006) ‘Text Derivation’, Signo, Rimouski (Quebec), http://www.signosemio.com

Punday, D. ‘Toying with the Parser: Aesthetic Materility in Electronic Writing’ in The Journal of Aesthetics and Art Criticism, Vol 61 No. 2, Spring 2003

Rasula, J. & McAffery, S.  (eds.) Imagining Language: an anthology (Cambridge, Mass.: MIT Press, c1998)

Riffaterre, M. Semiotics of poetry (London: Methuen, 1978)

Sieburth, R. ‘From Mallarmé’s Le Livre’, Rothenberg, J. and Clay, S. (eds.) A Book of the Book (New York: Granary Books, 2000)

Spencer, H. Pioneers of Modern Typography (Cambridge, Mass: MIT Press 1983, c1982)

Stankos, N (ed.) Concepts of modern art (London: Thames and Hudson, 1981 [revised edn.])

Stuart, J ‘Remediate? Sure (but don’t forget the book)’, Jacket 34, October 2007 (http://jacketmagazine.com/34/stuart-mirakove.shtml)

Stuart, J. ‘From text to texture’, Cordite 20: Submerged, 2004 (http://www.cordite.org.au/archives/000677.html)

Stuart, J. ‘Text-art and interactive reading’, Artlink, vol. 27 No.1, 2006

Stuart, J. (ed.) The Material Poem: an e-anthology of text-based art and inter-media writing (Sydney: non-generic productions, 2007)

Tabbi, J. ‘Locating the Literary in New Media’, Electronic Book Review http://www.electronicbookreview.com/thread/criticalecologies/interpretive, accessed 15 March 2009

Tofts, D. Interzone: Media Arts in Australia (Fishermans Bend: Craftsman House, 2005)

Wittengenstein, L. The Wittgenstein Reader, Kenny, A. (ed.) (Oxford: Blackwell Publishers 1994)



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